2023

• "In the Beginning," "On Beginnings and Endings," in Voice & Verse, Issue 69, first quarter 2023 
• "Hypocenter," "noir noir," and "An End to Time," in the Winter 2023 Issue of Honey Literary
• "Death March," "In the Death Republic," and "Show Me Hope Without Using the Word Hope"
  in Verse-Virtual, January 2023
  
  

2022

• ​"Pastoral," suite of poems for The Margins, Asian American Writers Workshop (forthcoming)
• "Mutter. Mater." (lyric essay) in Nat. Brut, Issue 16 
• "Enrique Remembers Melaka Before Disappearing from Known History," December 2022 Poetry Feature, The Common; 16 December 2022
• "After," poetry-visual art collaboration for Rebie Picazo Ramoso's Peripheral (e)Motions poetry+art exhibit, 04 December 2022 - 02 January 2023, vMEME Contemporary Art Gallery, Manila. 
• ​“Song of Meridians,” “The Heart’s Every Eve,” and Fatalism," in The Southern Poetry Anthology, Vol. IX/Virginia, November 2022
• "Chicken Ghazal," Lantern Review "Asian American Appetites," Issue 10, October 2022
• "Dear Epictetus, this is to you attributed," in Wherever I'm At: An Anthology of Chicago Poetry, ed. Donald G. Evans and Robn Metz, After Hours Press, June 2022
• Special Feature, Altars of Writers and Artists, Indianapolis Review, Summer 2022
• Graphic Review of Karen An-hwei Lee's Rose is a Verb, Indianapolis Review, Summer 2022
• Participating poet in the Academy of American Poets’ “Dear Poet 2022” program
• Poets Laureate Fellowship Interview, Academy of American Poets; Spring 2022 
• “Dear Epictetus, this is to you attributed,” in Wherever I'm At: An Anthology of Chicago Poetry ed. Donald G. Evans and Robin Metz; After Hours Press and Third World Press, 2022 
• “San Malo,” Poem of the Week, Missouri Review online, 11 April 2022
• "On Peach State," Georgia Review, spring 2022
• “We Have a Problem with Your Point of View,” “My Grief is Also,” “You with your Dark Hair Unfurled Like a Banner,” “Soft Gold,” “Poem Across Time Zones,” in “The American Poet Laureate Series,” Green Mountains Review, March 2022

2021

• “Flora of the Tropics,” Tampa Review, vol. 61, 2021  
• “Tanaga: What Hails Us and What We Made,” Poetry, July/August 2021
• “Manifest Destiny,” “Ten Parts of an Expedition,” and “Animus,” ALON: Journal for Filipinx American and Diasporic Studies, Volume 1, No. 1; July 2021
• “Orchard,” Academy of American Poets, July 2021   
• “Caulbearer,” Oxford American, Summer 2021  
• “Conservation,” “Night & Day,” “Portrait: Future Self,” and “When you sit down to write, is death ever sitting down beside you?” in South Dakota Review, Vol. 55, No. 4; April 2021
• “Song of Meridians,” “Calling the Soul Back to the Body,” The Margins, AAWW (Asian American Writers Workshop); 14 April 2021 
• Participant/contributor to the “Telephone” project (directed by Nathan Langston) –  - bringing together artists and writers from over 493 cities in 73 countries worldwide to create a chain of creative responses (just like in the “Telephone “ game).  
• “Elegy for Loss,” “The Buddha Walks a Mile,” “Decryption,” “Portraits,” “Ghazal, with Cow Burial,” “A Reparation,” on the Poetry Foundation website; spring 2021
• “Custody,” Poem-a-Day selection; The Academy of American Poets, 19 March 2021  

2020

• “Tall Chest,” Athleon, Fall 2019/Winter 2020
• “Animus” and “Drift” in Shenandoah, Spring 2020
• “Mother: 3 Pictures,” “On Keeping,” “First Night: In Mother’s House,” “Open House,” in the “Sheltering” issue of MiGoZine, Spring 2020 
• “Icarus at Varanasi,” Indiana Review, issue 42.1, Summer 2020
• ​“Self-portrait, with beetles in sugar,” “I am simultaneously trying to be less overwhelmed by the world &more,” “The Subject,” “Casida of Weeping,” “I Don’t Have Feelings for the Angel,” “Some Days One Must Refuse the Terrible Future,” poems in Sangam House International issue edited by Brian Turner; Jan. 2021  

2019

• “After Suffering,” Poetry East, Issue #97, Fall 2019
• “What the mouth remembers,” “Ghazal of Wild Things,” in Crab Orchard Review: A World of Flavors—Writers on Food Issue,  October 2019
• Six Poems: “Fatalism,” “When I Think I Could Be Beautiful,” “Texture of the Lost,” “Hibernal,” “Elegy for Loss,” “Theory of Instruction,” and an Interview; A Dozen Nothing, 1 September 2019
• “Craft is Not Monolithic: An Interview with Luisa A. Igloria and Amanda Galvan-Huynh” conducted by Ruth Joffree for The Kenyon Review online, 5 July 2019   
• “Betrothal,” in The Shanghai Literary Review, Spring 2019
• “The Light, In Pieces,” “This Poem is an Overseas Contract Worker,” in Bellingham Review Vol. XLII, Issue 78 (Spring 2019)
• “Cargoes,” in SWWIM, March 13, 2019 issue  

​2018

• “Landscape, with Deer Eating its Afterbirth,” in Voice & Verse Poetry Magazine, Hong Kong; July 2018
• “Dear Federico,” in the Immigrant Issue of Rattle, March 2018
• “Strange things pleased me” and “Nocturne” in Diode, March 2018​
• “Zunzuncito” and “In the garden of earthly delights,” in Your Impossible Voice, 9 January 2018

2017

• “Who was your first love?” in the 10 Year Anniversary special issue of CHA: An Asian Literary Journal, in collaboration with Voice and Verse Poetry Magazine, Hong Kong; December 2017 
• “Notes Toward a History of Coaxial Cable,” in The Paddock Review, November 2017
• “Another Argument for Trying to Live, Even in these Times,” RATTLE, Poem of the Week, 9 July 2017
• “Bioluminescence,” ONE (Jacar Press), May 2017

2016

• Poems in Hotel Amerika, Winter 2016-17​
• 6 poems featured in Mud Season Review, Issue #16, January 2016​

2015

• “Codex Lepidoptera,” UUT Poetry, November 2015
• “Samsara,” Journal of Compressed Creative Arts, Fall 2015
• “I Carry You,” The Common, October 2015
• “Syllogism,” New England Review, Vol. 36., No. 2, 2015
• “Massacre Vernacular,” HEArt (Human Equity through Art) Journal, April 2015
• Luisa A. Igloria on Emily Dickinson’s “God Gave a Loaf to Every Bird,” Poets’ Picks, April 2015​

2014

• “Certified” by Luisa A. Igloria, Poetry Daily feature on December 11, 2014.
• “Reprieve” by Luisa A. Igloria, en-videod by Dave Bonta

2013

• Poems by Luisa A. Igloria at Escape Into Life, spring 2013
• Interview, and Poems by Luisa A. Igloria at Ardor Literary Magazine, spring 2013 (Issue 2)
• “Professor Offers Ode to Boston”— Luisa A. Igloria’s Tweet poem featured on NPR for National Poetry Month, April 2013​

2012

• Luisa A. Igloria featured on Ellen Wade Beals’ Solace in a Book blog, 26 October 2012
• Poems by Luisa A. Igloria archived by Dave Bonta in Via Negativa 
• “I Want to Be Surprised with Language, Curator Says” — Holly Bass interviewed by Michel Martin on her Tweet poem picks for NPR’s National Poetry Month 2012 (“Muses and Metaphor”)
• “Muses and Metaphor”— Tweet poems for 2012 April Poetry Month at NPR; Luisa A. Igloria featured on 11 April 2012​

2011

• Featured by Marly Youmans at The House of Words no. 33: Luisa A. Igloria on Daily Writing Practice; 7 June 2011
• “There’s That Old Chestnut, Again” in qarrtsiluni’s “New Classics” issue
• Poems featured in From the Fishouse
• Poems published in Poetry magazine​

2010

• Featured Poem of the Week on NARRATIVE Magazine (for the week July 19-25, 2010)​

2009

• Featured poet in the journal No Tell Motel (for the week November 23-29, 2009)
• “Fear Factor” (Pushcart Prize Nomination) and “Email to the Tender Committee of the Nigerian National Petroleum​"

2008

• "Corporation” in Umbrella Journal (Issue 8, Winter 2008)
• “Thinking in Sepia” (originally published in POETRY EAST, Spring 2008; and republished in HIGH CHAIR, Issue 10, January 2009)
• Finalist poems appearing in The Missouri Review, Editors Prize Issue​

2002-2007

• “The Clear Bones”, winner of the 2007 49th Parallel Award from Bellingham Review
• “Yo Yu” and “Christopher Reeve’s Filipino Nurse” in Sweet, Issue 1
• “What We Ate After Passing the Cape of Eleven Thousand Virgins” in qarrtsiluni (the Water issue)
• “What to Do with Suitors in the Courtyard” in poemeleon (the Persona Poem issue)​

2001

• “Cuauhtemoc,” Poetry Magazine, January 2001
• “Fireworks, Harborfest,” Poetry Magazine, January 2001
• “Note to her Translator,” Poetry Magazine, January 2001
• “Goldwasser,” Poetry Magazine, January 2001